The Spanish Art Rock Experience was an event held in Sala Charada, right in the heart of Madrid. The venue is a night club where a raised part of the room is reutilised as a stage. This meant there wasn't a lot of room for the musicians to move about much and lighting was limited. The most impressive lighting being above the audiences head where a multi-coloured LED matrix (about 3M x 6M) which displayed an animated series of geometric shapes (except when it crashed, when it displayed the Asus logo and an error message). The night promised 3 bands, which is exactly what was delivered.
Tech, Music & More
Tuesday, July 2, 2013
Spanish Art Rock Experience II: 29-Jun-2013
The Spanish Art Rock Experience was an event held in Sala Charada, right in the heart of Madrid. The venue is a night club where a raised part of the room is reutilised as a stage. This meant there wasn't a lot of room for the musicians to move about much and lighting was limited. The most impressive lighting being above the audiences head where a multi-coloured LED matrix (about 3M x 6M) which displayed an animated series of geometric shapes (except when it crashed, when it displayed the Asus logo and an error message). The night promised 3 bands, which is exactly what was delivered.
Sunday, March 18, 2012
The Aristocrats - Madrid, 17-Mar-2012
I was stood directly in front of Bryan Beller and his Gallien Kruger rig - Trouser flapping bass, but with a great view of both Guthrie and Marco (front row).
I thought it was a disappointing turnout, considering the calibre of these guys - around 200 people at a guess. The lack of numbers was made up for by the enthusiasm of everyone in the crowd.
Guthrie Govan was just incredible. There are a couple of quotes on the Adrian Legg album 'Technopicker' that I think apply equally to Mr Govan, the first from Alexis Korner; "Here's a man who completely understands his instrument, plays with fiery passion and controls his rampant fingers with dexterity and delicacy" The other quote; "...has the virtuosity of a brain surgeon, the taste of a tuna fish sandwich and the speed of a man with more fingers than the rest of us". Personally I love the way that although he plays incredibly fast, I don't get the impression that it's mindless widdling using standard patterns, rather that every note seems to have its place, changing modes freely to give sections a different spin.
This was the first opportunity I've had to see Marco Minneman live and I wasn't disappointed. What can I say. I'm not a drummer, but even a numpty like me can tell that he is in the upper echelons of the skin bashing fraternity. Two particular highlights for me of his playing were in 'Sweaty Knockers' where he plays over and across a rhythm set up by Bryan and Guthrie. A perfect example of polyrhythmic drumming. The second was his drum solo where he not only played his drums (including 'La Cucaracha' on the toms) but also the hi-hat stand and microphone. Amazing. I also had the opportunity to briefly say hello to him after the gig and thank him for a great night.
Bryan Beller played some beautiful bass and used the wah pedal to achieve some unusual lead sounds while not destroying the underlying bass tone (split signal maybe?). Although he doesn't stand out as an overtly technical virtuoso (certainly in comparison to Guthrie and Marco), his playing was nevertheless tasteful, solid, supremely skilfull and a perfect support for his two band-mates. Bryan was also the principal 'introducer', including a little bit in Spanish. He told the audience how they had gone to a flamenco bar the previous night and said "now that was rhythmic complexity". He and Marco then decided that, being Spain, the audience would have no trouble in helping them out by clapping the 5/4 intro for the next song, which they did without a problem.
The trio seemed to have great fun on stage, each one listening attentively, appreciating and reacting to the other two. The joy they obviously got from playing this music was transmitted directly to the audience, who lapped it up and sent it straight back to the band.
Overall the highlights of this great show (for me) were 'Sweaty Knockers', 'Flatlands', 'Blues F**kers', 'Boing!.. I'm in the Back' and 'Bad Asteroid'. Ostensibly because they were familiar to me (from the album available here, Amazon or iTunes - buy it NOW!). It is difficult to single out particular songs other than through familiarity as there wasn't a lull in the whole evening and every track moved, entertained and inspired.
Sadly I forgot my camera so I couldn't resurrect my gig photography, last practiced in the early 80s.
Did I mention that I enjoyed this gig?
Tuesday, February 14, 2012
High Pass Sharpening in GIMP
GIMP (GNU Image Manipulation Program) is a powerful image editor that is open source & cross platform, working on Linux, Mac OS and Windows operating systems.
High pass sharpening is a method of sharpening an image without incurring too many undesirable artifacts such as noise. It also operates by creating a layer which can be adjusted to increase/decrease the effect or turned off to remove the effect completely without affecting the underlying image. A layer mask can also be added to limit the sharpening effect to desired areas.
This method is very well explained in episode 164 of Meet the GIMP. If you find this process interesting, then I recommend you watch this video. The Meet the GIMP videos and web-site are an excellent resource for using this application.
For this walk-through of the process I shall use an image of the Palacio Real in Madrid.
In GIMP I create a duplicate layer where I adjust the colour curves to enhance contrast
The initial image that we will begin sharpening looks like this:
And so we begin with the High Pass Sharpening.
1 Duplicate the layer twice
2 Invert the colours of the top layer
Color > Invert
3 Set layer mode to Grain Merge
4 Apply a gaussian blur, typical blur value of 20.0 seems to work quite well, but experiment to find a value that works best for your image.
Filter > Blur > Gaussian Blur
The image outline will then appear "etched" in the grey background.
5 Merge the top layer down
Layer > Merge down
6 Set the layer mode to Overlay
7 The effect can be adjusted with the opacity of the sharpening layer
This is the final image with 100% sharpening applied
Friday, December 16, 2011
4 Note Improvisation
Ambient 4 Note Improv by Neville1308
This is a track based upon four notes. Almost all parts are limited to using these four, except the main melody. It is a multi-tracked improvisation, with only one track needing a second take.
The instruments used are:
- Korg Triton Studio
- Rob Papen Albino II
- Linplug CronoX
- Arturia Prophet V
- Arturia Modular Moog
- Arturia CS80V
- GForce ImpOscar.
This is something of a departure for me (at least from my perspective) as this is much more electronic ambient. Probably a result of me starting to listen to artists like Ian Boddy and the music of my piano teacher, Carmen Lazaro. Not that I would compare myself to either of these artists, but more that they have shown me a new way to think about music and sound.
This is the first time in many years that I have used purely synthetic sounds, having previously tended towards real world sounds, albeit played via a synthesiser or sampler. With the acquisition of some new VST plugins, the quality of the analog sounds now justifies their use.
It is a long piece, around ten minutes long with a slow start, a middle section which is slow (and still needs some working on) and an ending that is, you guessed it, slow. This is not a piece to dance to but more of a soundscape to relax and let it wash over you.
I hope you enjoy it, or at least find it interesting.
Thursday, June 16, 2011
Why I downgraded from LibreOffice 3.4 to 3.3.2
I've been a happy user of LibreOffice since the first beta was released in 2010. I was keen to try out the new 3.4 version with a view to seeing further enhancements and efficiencies.
The first thing I noted was that it seemed to take longer to load some of my larger spreadsheets, and even some of my smaller spreadsheets.OK, the LibreOffice download page does stress that 3.4 is not ready for production use and the stable version should be released around the end of the month as 3.4.1 (if I understand the release schedule correctly). The additional load time didn't worry me too much, I usually load spreadsheets up at the beginning of the day and continue to use them throughout the day, so a few extra seconds was not too annoying.
Today I encountered the deal-breaker.
I have a few spreadsheets that I regularly use to track finances. With these I have a 'Net Value' column; a 'VAT %' column; a 'VAT €' column and a 'Gross Value' column. As I do not want a lot of zeros cluttering up the spreadsheet and not all of the entries will have VAT, then I do a check to ensure that the VAT value is calculated only if a % has been specified. Likewise, the Gross value is only calculated if there is a value in the Net Value. It looks something like this as a logic expression.
Net Value | VAT % | VAT € | Gross Value |
NET€ | VAT% | IF VAT% = blank THEN blank ELSE NET€*VAT% | IF NET€ = blank THEN blank ELSE GROSS€ = NET€+VAT€ |
This has worked fine in OpenOffice version 2.x right up to LibreOffice version 3.3.2. Now, with version 3.4, LibreOffice returns a “#VALUE” error for the Gross value when there is no VAT. What appears to be happening is that the creation of the blank in the VAT € column (“”) is interpreted in version 3.4 as a text value, and so canot perform the addition.
I cannot see that this would be a particularly unusual configuration, and yet it has slipped through the updates unseen by the developers. I don't want to have to re-write all my spreadsheets to get around this bug, so I have uninstalled 3.4 and reverted to 3.3.2.
Let's hope that this does not become a permanent 'feature' of LibreOffice!
Monday, October 19, 2009
Or, if I embed it correctly, here:
If you enjoy it, go over to the band web-site and visit the Eddie Jobson forums, a great discussion place for all things Eddie.
The song is part of an EP of four songs;
- Radiation
- Houston
- Tu-95
- Legend
Hope you enjoy it.
Saturday, October 17, 2009
Introduction
So without further ado I hereby declare this blog open. May Google bless her and all who wish to sail in her.